Cher Cartwright  And the Living is Easy,  2006 Gift of Hilary and Marvin Fletcher  2017.525.16

Cher Cartwright
And the Living is Easy, 2006
Gift of Hilary and Marvin Fletcher
2017.525.16

The Marbaum Collection: Variations in Techniques

April 21, 2019 - July 14, 2019

Finlayson Gallery

Discover a selection of quilts from the Marbaum Collection - a unique collection of 87 art quilts generously donated to SJMQT for its 40th anniversary - on display for the first time. Marvin and Hilary Fletcher started acquiring quilts in the early 1980’s, eventually establishing a formidable trove of works from nearly 80 artists, bearing witness to the diversity and vitality of quilt-making from that time, to the present. The Marbaum Collection is both an invaluable resource for artists and researchers to explore, and a deeply personal collection woven together by the Fletchers’ long standing passion for and philanthropic support of art quilts. The gifted collection, unprecedented in size and scope for SJMQT, will travel internationally before joining its new home in San Jose in 2020. 


Chiaki Dosho  Light & Dark 11  Japanese kimono (silk, synthetic fiber) Direct appliqué

Chiaki Dosho
Light & Dark 11
Japanese kimono (silk, synthetic fiber)
Direct appliqué

H2Oh!

April 21 - July 14, 2019

Turner and Gilliland Galleries

Water - it's everywhere! The majority of the earth's surface is covered by water. More than half of the human body consists of water. Every living thing depends on water to survive, and life hangs in the balance when this precious resource is squandered. Offering a variety of artistic interpretations, H2Oh! draws on a well of beauty, reverence, and contemplation as it invites viewers to consider the importance and the impact of water, one of the most vital, desired, powerful, sacred, and enjoyed resources on earth.


Kristen Martincic: Swim Club

April 21 - July 14, 2019

Hallway Gallery

Kristen Martincic uses swimwear as a surrogate for the female body, creating paper bathing suits that are a cross between a bathing suit and an underdress, skin and clothing. Social conventions and context play a significant role in how these garments are viewed by others and ourselves. These delicate paper suits talk about the awkwardness of vulnerability and exposure while maintaining a sense of levity. 

Golden U-back suit, 2012 Ink on matsuo kozo, thread Monotype on matsuo kozo, stitching  Photo: Jeffrey M. Bruce

Golden U-back suit, 2012
Ink on matsuo kozo, thread
Monotype on matsuo kozo, stitching
Photo: Jeffrey M. Bruce


Morning Fog  Robin Cowley Silk, cotton Machine sewn and fused

Morning Fog Robin Cowley
Silk, cotton
Machine sewn and fused

Momentary & Timeless 

April 21 - June 2, 2019

Porcella Gallery

Momentary & Timeless invites you to join six Bay Area fiber artists as they explore various ideas through a combination of haiku and the art quilt. Each artist presents a unique style that will draw you into the rhythm of the exhibit. You will be invited to write your own haiku and hang it on a “wishing tree” – a uniquely Japanese tradition.


Stone Portraits and Sacred Stonescapes: Denise Labadie

June 5 - July 14, 2019

Porcella Gallery 

Labadie makes contemporary art quilt portraits of Celtic megalithic stones and monoliths, and more recent monastic ruins. These stonescapes – stone circles, standing stones, dolmens, burial tombs, abandoned churches, forgotten cemeteries, and lost-in-history portals and passageways – are both timeless and evoke deep remembrances of human pasts largely forgotten. Labadie's quilts are known both for their surprising emotionality, large size and, from a construction standpoint, their hand-painted fabrics, textures, color gradation, shadowing and perspective, depth of field, craftsmanship and technique precision. 


Bonamargy Friary , 2018 52 x 43" Hand-painted cotton fabrics; reverse, turned edge, and raw edge appliqué; machine appliquéd, pieced, and quilted

Bonamargy Friary, 2018
52 x 43"
Hand-painted cotton fabrics; reverse, turned edge, and raw edge appliqué; machine appliquéd, pieced, and quilted


Ceremonial huipil (woman’s blouse) Santa Lucía Utatlán 1930’s/1940’s

Ceremonial huipil (woman’s blouse)
Santa Lucía Utatlán
1930’s/1940’s

Mayan Traje: A Tradition in Transition

JULY 21, 2019 – OCTOBER 13, 2019

TURNER AND GILLILAND GALLERIES

The Maya of Guatemala are known worldwide for their excellent weaving and distinctive trajes (traditional clothing). These were once 100% village-specific, and people could be recognized as being from a specific place. Over time, many and diverse influences have caused significant change -- but even so, visitors are struck by the ubiquitous nature of indigenous weaving and the persistence of their “wearable art”. This exhibit will show outstanding examples of clothing from the early 20th century to contemporary fashion, highlight key differences, and explore some of the reasons for these changes. On view will be individual pieces as well as full trajes – none created for tourist markets. These will be drawn from the rarely-displayed collection of the Friends of the Ixchel Museum.

www.ixchelfriends.org


Borders

July 31, 2019 – October 13, 2019

Hallway Gallery

Explore selected works from San Francisco School of Needlework & Design's Stitch-at-Home Challenge: Borders.

A border is a moat between a castle and its kingdom. A border runs along the hem of our jeans. A boundary, a selvage, a crease, an end and a beginning, a divider and a unifier: a border is all of these at once. Borders are both metaphorical and literal––some are fixed while others have fluidity and movement. Our internal boundaries serve to protect us from real or perceived dangers and help to delineate the furthest reaches of our moods and feelings. Externally, borders are both visual and physical structures that serve to define lands, politics, cultures and linguistic variations. They shift like the high tide line, results of geopolitical incidents, and within each of us as we learn, grow and develop. Sawtooth borders, hemstitched borders, open borders, white picket fences, brick walls, arched openings, drawnwork, or tiny dashed running stitch lines. Visible and invisible, comforting and discomforting, fixed and fluid….all around us.

Chinese silk embroidery from SNAD's collection

Chinese silk embroidery from SNAD's collection



Pantea Karimi  #Hypatia , 2018 Silkscreen and color graphite on paper

Pantea Karimi
#Hypatia, 2018
Silkscreen and color graphite on paper

PANTEA KARIMI: FORGOTTEN WOMEN OF SCIENCE

JANUARY 19, 2020 - MARCH 1, 2020

PORCELLA GALLERY

History shows that there were many powerful and intelligent women who enjoyed professional careers in a wide range of scientific fields. Women scientists have long been under-represented and sometimes forgotten in historical accounts and scientific textbooks. These women did not just assume marginalized roles in the oft male-dominated fields of science; they were also pioneers and generators of cutting-edge ideas. Forgotten Women of Science features lesser acknowledged female scientists from ancient times to the nineteenth century. The exhibition highlights their contributions and chronicles their struggles in the scientific field.